It's that time of year again. Time to think back on the dozens of films seen in 2010 and decide upon the best of the best in all the usual categories. As it was last year, I'll be announcing my nominees for the Awards-Nazi Awards one day at a time, leading up to the 24th (the eve of the Oscar nominations) when my winners will be announced.
Today's category is Costume Design, and there was plenty to choose from in 2010:
Kate Mulleavy, Laura Mulleavy):
Nina Sayres' girlish soft pinks and whites give way to greys and blacks as the Black Swan within her starts taking control. I especially loved how fabrics and accessories were stylized to resemble feathers and wings! That's to say nothing of the gorgeous ballet costumes.
The period attire is precise. Materials and patterns are used smartly to help distinguish character; scratchy wools for Robert Duvall, pinstripes and argyle for Bill Murray, leather and tweed for Lucas Black. Everyone even has their own hat style!
Slick corporate threads wonderfully define character quirks; prim three-piece suits for Arthur, smart casual clothes for Eames, Asian-inspired formal wear for Seito, and so on. It's not terribly flashy, but still represents intelligent contemporary costume design.
Features appropriately gritty period and character details: burnt-out Rooster Cogburn's battered duster, boastful LaBoeuf's ornate rodeo jacket, and Mattie Ross' ill-fitting coat and hat that visually accentuate how ill-fitting she is for the adventure on which she is about to embark.
Character specificity rules the costumes of this Gothic horror; the lavish fur-trimmed jackets of Anthony Hopkins' hunter, the no-nonsense trench coats of Hugo Weaving's Van Helsing, and the constrictive corsets of Emily Blount's love-lorn damsel are all a perfect fit.
Just missed: Harry Potter, The King's Speech, Made in Dagenham